International Classical Music Award for Classical Planet
One of the projects I’ve been involved on got a great award. Congratulations to FIA!!
I quote here some information:
“The renowned Polish composer Krzysztof Penderecki wins the Lifetime Achievement Award; French pianist Jean-Efflam Bavouzet is Artist of the Year; German pianist Joseph Moog Young Artist of the Year; Ondine Label of the Year. A Special Achievement Award goes to the producer and re-recording engineer Ward Marston. The Classical Website Award goes to ‘classicalplanet.com’, an outstanding project coordinated by the Fundación Albéniz and offering musical content as well as a social networking platform for young musicians. Among the recipients of the Awards in the 14 CD and DVD, the Jury selected the ECM recording of piano works by Robert Schumann played by Andras Schiff as Recording of the Year.”
Book on Multimodal Music Processing
I’m very happy to have coauthored a chapter in this book on Multimodal Music Processing, as a result of a seminar that Meinard Muëller, Masataka Goto and Simon Dixon organized last year.
I contributed to a chapter about user modeling and personalization, which I think it’s a key aspect of future MIR systems. Searches, descriptors, similarity measures and classification algorithms should be adapted to different user needs, in order to provide powerful and informative services of recommendation and retrieval.
I hope you will find it interesting!
IEETASP paper online
16/03/2012
Filed under research
Tags: f0 estimation, music information retrieval, predominant melody, research
Our paper on “Melody Extraction from Polyphonic Music Signals using Pitch Contour Characteristics“ is online! Congratulations to Justin!
CFP. Journal of New Music Research: Special Issue in Computational Ethnomusicology
27/02/2012
Filed under CFP, research
Tags: CFP, computational ethnomusicology, JNMR
Hi! I am happy to announce an special issue I will be co-editing with Perfecto Herrera and Paco Gómez.
————————————–
Journal of New Music Rresearch, SPECIAL ISSUE on COMPUTATIONAL ETHNOMUSICOLOGY
Since the beginning of Music Information Retrieval (MIR) as a field,
most of its models and technologies have been developed for mainstream
popular music in the so-called “Western” tradition. The term Western
is generally employed to denote most of the cultures of European
origin and most of their descendants.
Over the last few years, there has been an increasing interest in
applying available techniques to the study of traditional, folk or
ethnic music. Ethnomusicologists, music theorists and practitioners,
among others, could be considerably benefit from this research.
Although computational techniques have been proved to be of great
interest when applied to different musical repertoires, it is apparent
that we need to develop culture-specific techniques and algorithms to
understand, model, and process different music repertoires.
In order to gather relevant, high-quality research on computational
methods and applications in ethnomusicology, the prestigious Journal
of New Music Research will host a Special Issue on Computational
Ethnomusicology to appear in 2013.
TOPICS
We invite contributions describing the use of computational tools to
model ethnic, folk or traditional music repertoires, including, but
not limited to:
• Music transcription and notation.
• Music signal processing.
• Intonation, melody and motives.
• Harmony, tonality, scale analysis.
• Rhythm, tempo, rhythmic patterns.
• Timbre, instrumentation and voice.
• Music similarity.
• Performance analysis.
• Emotion and aesthetics.
• Genre, style and mood.
• Libraries, archives and digital collections.
• Evaluation and annotation issues.
• Preservation and restoration of historical recordings.
• Culture- specific taxonomies and ontologies.
Submissions must pose and describe the music problem thoroughly, a
deep account of the methods employed, and a comprehensive and critical
evaluation of results. Authors can use any musical representation
(e.g. symbolic or audio data) for their studies.
SUBMISSIONS
Submissions must follow the style and formatting guidelines of the
Journal of New Music Research, and must be submitted through the
Journal’s Manuscript Central Site (not to the editors directly) at
http://mc.manuscriptcentral.com/nnmr. On the Manuscript Type menu,
authors should indicate “SI – Computational Ethnomusicology”.
Submissions should be roughly 6,000 words in length. This corresponds
roughly to 16 pages using latex fullpage/12pt/a4paper/doublespacing.
To be considered for the Special Issue, submissions must be received
no later than June 20th, 2012.
IMPORTANT DATES
• June 20, 2012 deadline for manuscript submission
• October 5, 2012 responses to authors
• December 5, 2012 camera ready papers due
• June 2013 Special Issue in print
Questions and queries regarding the suitability of topics/research to
the Special Issue should be directed to the Guest Editors:
• Emilia Gómez (emilia.gomez@upf.edu)
• Perfecto Herrera (perfecto.herrera@upf.edu)
Music Technology Group, Universitat Pompeu Fabra and Sonology
Department, Escola Superior de Música de Catalunya, Barcelona, Spain.
• Francisco Gómez (fmartin@eui.upm.es), Universidad Politécnica de Madrid
III Interdisciplinary Conference in Flamenco Research – INFLA and II International Workshop on Folk Music Analysis – FMA
Some news about the INFLA-FMA event I am co-organizing!
- There is only 1 week left for abstract/paper submission!
- I will co-organize a discussion pannel on “Technological challenges for the computational modeling of the world’s musical heritage“, sponsored by MIReS. Anyone interested, let me know!
ISMIR 2012
I am tutorial chair at ISMIR 2012 in Porto. I am looking forward to organize a good tutorial sessions, so proposals and ideas are very welcome!
“Amb la recerca no pots dir fins dilluns!”
An article that Ingrid Pujol made about me some time ago has been published online. It was already published in the Revista Musical Catalana. I like it quite much!
III INterdisciplinary Conference in FLAmenco Research (INFLA 2012) and II International Workhop of Folk Music Analysis (FMA 2012)
26/10/2011
Filed under events, news
Tags: april, computational ethnomusicology, flamenco, folk music, Seville, traditional music
I am co-organizing an international scientific event in my city, Seville, which is in fact, the most wonderful event I can think of at the moment: flamenco, folk music, music computing, april, Sevilla!
You can find at the web all the needed information. I am very happy as I think it will be an amazing event and an oportunity for everyone to come to the Feria de Sevilla this year
I hope many people will join.
Remote contribution to ISMIR 2011
It’s a pity I cannot attend this year’s ISMIR, as the place is very nice (I have some very good friends in Miami) and the program seems very nice too. It’s not easy with two small children to be away for so long!! In any case there are some small contributions to MIREX I have been involved in, leaded by our PhD students Justin Salamon (predominant melody estimation) and Jose Zapata (tempo estimation). We had very good results. You can have a look at our MIREX poster for a brief overview and read the abstracts for more details.
Master theses in Computational Musicology co-supervised by me
Hi,
Please check these two excellent works from two SMC students at the MTG. Congratulations to Bruno and Maria for their work.
- Machado-Rocha, B. M. 2011. Genre Classification based on Predominant Melodic Pitch Contours. Master in Sound and Music Computing, DTIC, Universitat Pompeu Fabra, Barcelona.
- Panteli, M. 2011. Pitch Patterns of Cypriot Folk Music between Byzantine and Ottoman Influence. Master in Sound and Music Computing, DTIC, Universitat Pompeu Fabra, Barcelona.
